Malcolm’s furniture work serves as a method of processing a daily experience of working as an architectural designer/fabricator, both physically and philosophically.

He uses the materials and craft of architectural fabrication but arranges forms impulsively within a strict set of guidelines, experimenting with color to create furniture that resists a preconceived design.

This method of working allows Malcolm to break free from the careful planning of architectural design while still using the techniques, his aim being to create highly finished furniture/architectural objects that quietly mock human obsession with order.